Beating the Jotunheim R with the SR1a, at sensible prices, was as much about preferences as raw technical performance. While not the same, you can fairly easily imbue the Jotunheim R/SR1a combination with some (not all) of the character it exhibits with the HSA-1b using EQ or other DSP*.
Now, given that you’re using convolution filters (I’m assuming the Accurate Sound ones), you may well not want to mess around with EQ/DSP to change the sound further - since the point of those was, largely to create a linear, neutral, response.
And much there depends on whether you’re going for"the most “accurate” reproduction or the most “enjoyable”, which depending on the listener may, or may not, be the same thing.
The HSA-1b is expensive, for sure. It realizes its best value (or the closest thing approximating that in a $4,500 box), when used not just with the SR1a but also with other, conventional, headphones as well.
Mine is doing triple duty in a setup that includes an RME ADI-2 Pro FS R BE and an iFi Pro iESL (via the HSA-1b’s speaker outputs), which lets me literally drive any headphone or IEM, regardless of technology or power-requirement, from a single compact stack.
But even just driving the SR1a, I found the HSA-1b to be my favorite way to drive the SR1a without spending considerably more. You’re definitely into the sharp part of the diminishing returns curve, and value, there, particularly given what the Jotunheim R delivers, but it’s still ~half what I felt it takes to beat out the HSA-1b with the SR1a.
The Chord Étude is a bit cleaner driving them, via the interface, but not always as enjoyable. And it is not an amplifier I’d recommend unless it’s going to live in a stack of Chord Choral components, as there are more conventionally packaged products of similar performance for similar prices available.
The Ultima 6 via the interface was the first solid-state amplifier I felt really challenged the HSA-1b, but it took the Ultima 5 to make that a consistently convincing enough delta over the HSA-1b to make it worth buying. There are, no doubt, others … I just stopped looking as the Ultima 5 fits so nicely into my Chord stack.
And even then, the Ultima 5 (and even the Étude) are not just being used to drive SR1a’s interface. They were initially, but not now. They’re also setup to drive power-hungry cans and an iFi Pro iESL for electrostatics (while I sort out if I want to stay this path and get a BHSE, find out what Sennheiser wants to talk about, or ditch headphones entirely).
*Non-EQ DSP includes things like compressors, tube-effects, spatial audio and so on, some of which can have very interesting/enjoyable effects - but all of which will take you further from the pure-fidelity path.