Focal Utopia Open-Back Headphones - Official Thread

I’m not so sure there is. Where does this “good music” exist other than in the poor recording? If it only exists in a state of bad sound, is it “good music” at all? I mean, to each their own and all, but I get very confused when people talk about music and recordings like they are two different things. I don’t think you can separate them. Sure, maybe there’s a rare exception where some incredible piece of music was only ever recorded once and the quality of that recording is awful and there is no other recording of that particular piece of music in the world. Fine, then you can separate them. But for literally every other scenario, you just can’t. The music is the recording is the music. If they aren’t both good, then they are both bad.

I realize most people aren’t going to agree with this, but personally I can’t see it any other way.

While I agree with all my heart that everyone has and should have their different idea of what “good music” is - that’s the fun of it all - and while studio craft is as good of an aspect of music to value as anything else, the world is full of field recordings, crappy punk productions and recorded-in-a-$10-studio regional R&B classics. Usually that’s even part of the charm of these recordings, but they have nothing that the Utopias and only the Utopias would reveal.

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I’ve never found the Utopia to sound “bright,” despite what people say. Might be my own hearing that has dulled,
but I certainly notice brightness when I hear it elsewhere. I do tend to use the headphone with the Stratus, and it’s a wonderful match.

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Chris, what was your chain used during your Utopia evaluation? And what are some examples of tracks if you don’t mind sharing?

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Same, and same. And I’m on the list for a Stellaris - can’t wait to hear the pairing, I am told there’s quite the synergy between DNA & Utopia.

My current chain is Bifrost 2 into Lyr 3 or Valhalla 2. I’ve found that I tend to prefer Utopia on Lyr - IMO its sharper more incisive presentation emphasizes Utopia’s strengths. I listen to Verite pretty much exclusively on Valhalla. I suppose I would grant you that my opinion of Utopia may be colored by my decisively warm-ish chain, but that merely supports my conclusion that Utopia is transparent, it is whatever you put into it.

It’s tough to cite particular test tracks because I didn’t really a/b test for the purpose of reviewing, it has really been just a matter of spending the last several weeks listening to Utopia with a variety of music and feeling moved to share my thoughts. I can cite a few notable things I remember, though:

  • Buena Vista Social Club vinyl played through Valhalla on Utopia is about as close a reproduction of experience of listening to live music as I’ve ever come. I played it for a friend who isn’t even particularly into audio and his reaction was “holy crap, it sounds like they’re in this room.”

  • Björk “Moon” This one stands out because Björk is my very favorite artist and I know this album like the back of my hand. The first time I listened to “Biophilia” on Utopia I could actually hear where her vocals had been mastered and compressed - mid phrase certain parts had been pulled back to keep them from overwhelming the levels. All the hundreds of times I’ve listened to the album I had never heard that before. Pretty sure it’s something you need a “detail monster” to discern.

  • Reiner’s “Scheherezade” This recording is famous for being well recorded and lively. While it sounds incredible on ANY headphone, comparing Utopia to Arya: Arya, known for its excellence with orchestral recordings, excels here with its sense of space and grandeur, but with Utopia there is just “more there there”. Despite the soundstage, I think it’s the sense of dynamic impact that makes the difference. Dynamics is Arya’s achilles heel and Utopia’s superpower.

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I’d recommend this for wonderful textures and dynamics that the Utopias pair so well with.

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Thank you for the response, and for the record it was not seek any validation in your findings. I find the inclusion of chain and examples of music to provide me a better frame of reference when reading impressions, nothing more than that.

Utopia and DNA is the best combo I have heard in my limited exposure over the last 2 years. It is like PBJ, maybe add a layer of sliced bananas to make it extra, and make sure the peanut butter has some sea salt and caramel mixed in.

I don’t have any amps that are not warmish, so my experience is similar that tubes or warmer solid state offering are my frame of reference. Would a more neutral or brighter amp change the U, maybe, probably. I don’t know and don’t care, have yet to find an amp in that category worth adding.

Once you upgrade to the incoming Stellaris in a year, let’s see if the delta between the Utopia and Verite remain a notch or two in difference.

Famous last words…If I am still around a year from now and you are too, revisit this too :slight_smile:

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That’s interesting. The Lyr 3 is about the least sharp, least defined, and narrowest amp I regularly use. It has the depth and harmonics of tubes, but not the wide stage or defined edges of my other tube and hybrid amps. You are indeed smoothing a lot of sharpness with the Bifrost 2 + Lyr 3 chain. I’d love to see your face when using the Utopia on an ESS Sabre DAC and THX AAA 789 (at least the sadist in me wants to see). The Lyr 3 and Bifrost can make most all of my headphones tolerable.

You might try more technical upstream gear. I hear a lot more treble details or artifacts on some DACs. These are not necessarily musical or desirable. But no, you likely won’t beat the Utopia.

This gets into individual hearing differences. I found the Utopia generated painful treble edges on my benchmark, definitively mild female vocals (i.e., tracks I previously considered safe on everything).

My true history with the Red Hot Chili Pepper’s song Californication:

It has California in the title. It has fornication in the title. What could possibly go wrong?

Years ago when played on the radio, I heard this song in the car only and it sounded “fine” by me. I wasn’t a RHCP fan and never owned the album or heard it outside a car. After getting serious headphones and looking for examples of male vocals, it came to mind. I played it on my Sennheisers and it sounded worse than any vocal track ever recorded. It has a special spot in my test track list, sandwiched between otherwise decent vocals. It’s a bloody awful recording, but the song itself is “fine.” Not a favorite, just fine.

Take away: The chain and environment matters a lot about how a recording will be perceived. One can fix the brightness of Californication through EQ, and disguise the fact that it has brutal clipping. One can’t preserve details in the process, but it at least becomes listenable. One can alternatively listen in a car with loud background noise and the track remains clear and audible.

That’s how I separate music quality from recording quality: Playback context, signal chain, and EQ modifications. I now only play this song as a test track, as it reveals how your chain will perform with bloody awful vocal recordings. I notice recording quality now.

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Heh. :face_with_raised_eyebrow:

How a normal chain presents music:

How Utopia + ESS + 789 presents music:

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lol yeah, I know you’re right, but I also know I’m not the type to enjoy the endless hamster wheel. I have a destination and when I get there I intend to sit back and enjoy what I’ve built. Maybe. :wink:

I had an A90; replaced it specifically because I realized I preferred the softer edges of tubes 100% of the time. I realize Lyr 3 isn’t a “sharp” amp, but between Lyr and Valhalla, Lyr is the sharper of the two by a good margin.

Yeah, I have a Stellaris on the way, to be followed shortly by a Holo dac. Rome wasn’t built in a day. :wink:

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Nicely written review, @chrisnyc75

I largely agree with this. I’ve commented on several folks’ posts who are concerned about the criticism oft lobbed at the Utopia, that it’s bright and edgy, telling them if their chain is bright and edgy, so will the Utopia be - but not if you carefully construct what’s upstream.

I will have to disagree with you on this one. There are many songs I love that are less than ideally recorded and/or mastered. It’s not Utopia’s fault, of course, but it’s a valid position to want a headphone (or chain) that smoothes those rough edges out so that you can optimally enjoy the recording, even with its imperfections. I’d rather listen to Yo-Yo Ma on a student cello than a student cellist on a Strad. Same deal with recorded music. Of course, when you get both together, it’s extra special.

Boy oh boy, wait until you hear Utopia with a higher-end DAC. Of course, I have nothing at all against the Bifrost 2, but if you’re loving the newfound detail you hear in the Utopia, get your ears on something like an Yggdrasil or higher-up Chord DAC ASAP! :slight_smile:

Overall, my experiences largely reflect yours. Once I heard the Utopia, I couldn’t unhear it, and I just had to have it in my life. It pretty definitively won out for me over competing headphones. I don’t really feel the need to even try other cans, though the same can’t be said for my source chain…

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I am very much looking forward to hearing how Utopia resolves a totl dac; however, I am strictly forbidden from making any more hifi purchases until Stellaris arrives next fall. Which just means I will be all the more mind-blown when I finally get to the Holo>Stellaris>Utopia promised land! :wink:

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That sounds (like it will sound) awesome! Can’t wait to hear your feedback on that chain.

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Incredible!

:zap::zap::zap::zap:

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Personal experience (my personal rig): Holo May>Stellaris>Utopia is profoundly adequate.

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I guess it that will hold you for awhile, ha.

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Focal UtopiaMy favorite headphone!

Chain

Holo Spring 3 KTE (USB) → Allnic HPA 3000GT (BAL) → Danacable Lazuli Ref → Focal Utopia

General character

Overall I’d say the U (Utopia) takes a very forward, focused, and forced approach to the music without the downsides meaning they are not fatiguing or harsh in any way. They are a very picky set of headphones meaning that whatever you plug into it from DAC to AMP to cables, it can change the way they respond. But generally, I find that the overall character remains as a highly engaging but “reference” sounding set of headphones. When I say “reference” I mean that the overall sonic character is influenced mainly by the type of music and/or the kind of chain you use. Of course, the U still has its own character and sonic quirks but, for the most part, it is pretty transparent. However, I don’t think it’s the most natural and life-like sounding, at least compared to the Susvara that I briefly listened to. But instead, it is very accurate to the recording with an added emphasis on engagement and dynamism. Relaxing headphones, such as the Aeolus, are great but I’m an engaging listener so this is what I tend to seek out the most when I want to listen to music–the U fits that preference of mine like a glove!

Highs/Mids/Lows

The treble on the U is, imo, its standout quality. It is raw, resolving, and at the same time refined with no sense of brightness whatsoever–grain-free coupled with loads of extension. I kind of feel like the treble on the U is as “infinitely” scalable as the 6XX (series) headphones. I don’t really have much to say here; it’s excellent and sublime. Period.

I’ve generally been a fan of how Focal deals with the midrange, particularly with the Clear and Utopia. Compared to the VC, the U aren’t as tonally weighty or warm but clear as day. The way I have it right now (paired with the Allnic) has just the right amount of sweetness that I wanted. Midrange is also very engaging and intimate. I love how piano and string notes in particular sound on the U as it gives a sense of fullness and vigor; it plays it with such confidence (the Clear is like this too).

Bass on the U has excellent slam and grip but it really is dependant on chain and synergy. The Danacable I have on this does improve grip and overall body quite noticeably. I confirmed this by using the Dana on both the VC and Aeolus via DHC adapters. It’s a great cable and synergy match for the U, while it wasn’t so much with the VC. Aeolus was a good pairing but kind of made it deviate from its original sound profile imo. Using the Allnic with the U, the bass hits even harder and gains this bold tactility to it while still expressing great control and speed. It’s a confident kind of bass that’s very enjoyable while still being very agile. Quantity-wise the VC does beat out the U a bit but the U represents impact and physicality with more authority. I do find that on the U the bass impact is more or less dependant on the recording whereas the VC bass is generally always tuned upward. The most surprising part, to me, was that the U bass extends lower than the VC even though the graphs suggest that the VC rolls off just a tad later than the U. I had tracks that have some heavy sub-bass drops and I couldn’t hear it at all with the VC (at least with the Auteur pads), while I can pick it up on the U (sample track).

Soundstage/Imaging/Detail/Timbre

The soundstage on the U is on the intimate side, but it has nice depth. I don’t particularly care for soundstage that much on headphones to be honest, so the U’s more intimate soundstage is perfect for me. I think the pairing with the Spring and Allnic portray a bit too much soundstage in terms of position. It feels like the crowd is just a bit separated from me than I would like (maybe I just need to get used to it). Anyway, I’ll follow up on it in the forthcoming Allnic thread, and either way, it’s not a downside by any means.

The U also images very well; it’s precise and focused. Each element has its own place and is isolated with ease. The sizing of instruments I feel is a bit one-size-fits-all meaning instruments that are big and small sound almost the same in magnitude if that makes sense. But that’s probably more of the DAC than anything else.

Detail is superb with great macro and micro-dynamics, but tilting more into the macro. It is much more detailed and nuanced than the VC by a pretty chunky margin imo. I could clearly hear the bass distortion on the U in one track whereas the VC barely picked it up.

Moving onto timbre, I feel that the U has a more accurate representation of timbre than the VC. Many people associate ZMFs in general with having a more natural timbre, and while I agree with that to some extent I think the Utopia, in particular, conveys timbre as it was recorded in the music. In other words, the VC conveys it as you would hear it in real life while the U conveys it as you would hear it recorded through a microphone. Now I don’t have any reference for this since I’ve never been present in these recordings, but that’s just my pure subjective thoughts in regards to timbre. Either way, I don’t hear any major problems with it that is cause for any complaints (maybe to the most dedicated timbre heads they’ll find fault) as long as you have good synergy.

Misc

The U’s other standout quality, imo, is that it excels when played in low to mid-level volumes (I listen at a rough measurement of around 70-75dB). High volume sounds okay but I wouldn’t suggest it most of the time (risk of hearing damage aside). It also has the added benefit of being safer for your hearing and, in addition, your brain perceives dynamics better at lower volumes.

The Utopia (and Clear) is my favorite when it comes to watching any kind of entertainment. I had originally thought the VC would take the cake here because of the warmer midrange and added bass response, but nah. Dialogue is the most important and both Focals present it the best in whatever kind of entertainment you throw at it.

Aesthetics-wise the U look unappealing in videos/pictures but when held in person they’re stunning to look at imo. I hate all things glossy but it ends up looking pretty good on the U.

Pads…sigh…y’all know how much a set costs. Don’t think I need to say anymore.

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I have a Hugo TT2/M-Scaler/amps&sound Kenzie Ovation to drive my Utopias and it is absolute perfection for me. In my living room I have the Haim Atom Uniti Headphone Edition which (no surprise) is a fantastic match for the Utopias.

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Nice review! I love your bullet points, makes for a nice organized read.

Hmm, that’s an interesting take on it. I struggle sometimes with whether I understand what timbre really is, but setting that aside, I find Utopia’s timbre more realistic than VO, probably owing partly to VO’s quirky frequency response and partly to Utopia’s sheer speed and accuracy. I find that I’m able to instantly identify what an instrument is or what material is being used to make a sound far more often with Utopia than with Verite or Arya.

I totally agree with this, though I find Verite remarkably good at lower volumes, too. Arya less so (though still probably better than most).

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Yeah for sure, especially when you aren’t in an environment where you’ve been exposed to different instruments for a good amount of time. But at the end of the day what sounds good to you sounds good to you, even if we might be technically wrong.

Thanks! Every time someone else posts their impressions or review and it ends up being super long, I find it a pain to have to scroll all the way up to recall what they had mentioned before. I thought this way might be easier for more people to digest.

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