“HOPE” by Hugh Maskela is exceptional; even the MP3 samples on Amazon should give you a good idea as to it’s sound quality and which tracks you might prefer.
“Sessions from the 17th Ward” by Amber Rubarth is an exceptional binaural recording (literally made for headphones).
I moved recently and some music is still being unpacked/organized so it’s hard to pick best tracks from memory. I’m primarily an album listener and was/am blown away by the music on both of these recordings.
When I’m testing different headphones, I want music that will give me separation, the ability to hear the differences between the instruments…I want to hear the pick hitting the guitar strings, to hear the singer breathing. Sometimes the music is overpowering and sometimes the headphones are focused towards a different intensity that doesn’t appeal to me. But once I have music that has established a “baseline”, I can use that for future references. Unfortunately I haven’t been able to factor in old age and how I’m say “eh?” more often. D’oh.
@stevenswall, really like your notes above, thanks.
Had a blast the other day listening to Paul Simon’s new Stranger to Stranger… really well recorded. @Jaethan hates me for even listening to this album, but it sounds great. Dude’s still a buddha.
Absolute best song to test any new equipment is Dreams I’LL Never See by Molly Hatchet. Studio version. Just got home and my new ATH W1000Z’s we’re waiting on me to open them. First song played, Dreams I’LL Never See. Just might hold on to these if they keep sounding better through the break in period.
I feel like everyone should check out Smoke and Mirrors: Vanish by Smoke and Mirrors Percussion Ensemble. Check out Juego de Relojes, it’s amazingly recorded and performed and it’s a great song for introducing people to Percussion ensemble because it’s pleasant and fun to listen to!
I use Steely Dan’s Aja, The Royal Scam, Katy Lied, and Gaucho
Pink Floyd Dark Side of the Moon, Wish You Were Here, and The Wall
Frank Zappa The Yellow Shark, Over-nite Sensation, Joe’s Garage vol. 1, Apostrophe, and Hot Rats
Bob Dylan Blood on the Tracks, Bringing it all Back Home, Blonde on Blonde, and Highway 61 Revisited
Aaron Copeland Fanfare for the Common Man
Friday Night In San Francisco (Live) by Al Di Meola, John McLaughlin, and Paco De Lucia
Rebecca Pidgeon Spanish Harlem(song)
Nirvana Nevermind
Yes The Yes Album
Why The Yes Album? It’s kinda poorly recorded and I definitely hear that on all my headphones. I’d say fragile or CTTE are better choices for testing purposes. Unless you’re trying to test how forgiving it is with less HiFi recordings, that is.
Gary, the headphone amp designer who runs Electric Avenues asked this question several years ago. His customers posted responses, the link is worth sharing. Songs Suggested by Gary’s Headphone amp customers
Back then I liked The Orb’s Cyberiad CD because of the variety of sonic textures and Dire Strait’s “Ride Across The River” because of the very clear guitar sound.
I’ve always liked Beethoven’s 6th symphony, and both Telarc and Grammophon have done nice versions. I like the Telarc Mahler’s 6th also.
But then there is the FUN music.
Boston Pops, Fiedler, RCA Victor Red Label OFFENBACH, “Gaîté Parisienne” It’s fine on speakers, but you can-can listen on your cans! Recently re-released in an audiophile pressing.
And then… and then… Funkadelic’s “Let’s Take it to the Stage”