Yeah it doesn’t fit, you can see me try the ZMF co-pilots in my live unboxing and attempt to put them on all my headphones!
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First of all, Focals fit loose. If you look down with them on your head, they’re going to fall. That’s part of the deal.
I had a problem with mine where I got a ton of pressure below the jaw where it was painful just to wear them for more than a couple songs. In my case, the solution was to VERY gently bend the headband so that it made contact with more of my head.
Try this: When you put them on your head feel with your hand where it touches your scalp and where it starts to have a gap on both sides. Then try exerting a little pressure on both ends with your fingertips. You’ll probably want to ratchet them up to a smaller size as this will push them down lower on your ears. If this improves it, apply a slight amount of more pressure and hold it in short waves of 20-30 seconds or so and see if you can make a subtle adjustment that way.
Otherwise, something like dekoni nuggets may help.
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Focal Clear Review
Written by Chrono
Introduction
The Clear is an open-back dynamic headphone designed by Focal that retails for $1,499, and it utilizes Focal’s full-range speaker driver with an ‘M’-shape Aluminum/Magnesium dome. The Clear is made in France and is intended to be used as a high-end reference headphone that is also suitable for at-home listening.
Before we begin this review, I would like to take the opportunity to remind you that Headphones.com, in collaboration with Focal, is giving away a Focal Clear Headphone with a Focal Arche amp/DAC combo. You can enter the giveaway by filling the Google Form for the contest, Subscribing to The Headphone Show on YouTube, and following Headphones.com on Facebook or Instagram. The winner of the giveaway will be announced on The Headphone Show’s YouTube livestream with Focal on July 30th, 2020. Good Luck!
Sources and Music Used in Listening Tests
The Amplifier/DAC used in this review was the JDS Labs Element II connected via USB to my desktop computer. For the listening tests I used music from a wide variety of genres including Rock, Jazz, Classical, Acoustic, Hip-Hop, and latin. I played tracks from my own FLAC library as well as from Tidal streaming service (HiFi/Master Quality).
What’s in the Box?
The Clear includes a rather nice set of accessories. Included with the Clear is a Focal-branded, Hardshell carry case that, although not particularly small, should fit quite easily in most backpacks and suitcases. Also included are three cables of varying lengths with 3.5mm terminations on the headphone side. Two of the cables measure three meters in length, with one having a ¼” termination and the other ending in 4-pin balanced XLR. Lastly, the third cable measures 1.2m in length and terminates in 3.5mm, but includes a thread-on ¼” adapter.
Now, it is very rare for me to complain about cables, as it is not something that usually bothers me, or something I care about. However, I feel like in the Clear’s case, I have to mention that the included cables–despite looking very nice–are very uncomfortable to use and work with. They are extremely rigid and hold their form, occasionally weighing down the headphone.
Power Requirements
For a flagship-class headphone, the Focal Clear is remarkably efficient. They clock in at an impedance of 55 ohms and a sensitivity of level 104dB/mw, and I had no issue driving them to good listening levels with my PC’s onboard audio or MacBook. I still preferred the way they sounded when powered by my ifi iDSD Micro Black label, but I think it was mostly due to me liking the sound of its Burr-Brown DAC chip. I do not think that an amp is required for the Clear, but I do recommend using one.
Build Quality and Comfort
The Clear’s build is both beautiful, and excellent in its construction. To me, it seems as though it is composed entirely out of metal and they feel extremely solid; none of the parts feel loose or malleable. I really struggle to find a flaw in the Clear’s build; they are very well put together, they are sturdy, and they still remain fairly lightweight at 450g.
For the most part, comfort was not an issue on the Focal Clear. Despite weighing nearly twice as much as an HD 660S, it really did not feel like it as I felt as though the headband and ear cups did an outstanding job of evenly distributing the weight. The ear pads themselves are very comfortable, as they are wrapped in a perforated, suede-like, microfiber fabric that was soft on the skin and stayed cool throughout long listening sessions. Where comfort–for me, at least–went awry was that the cups have a spring-back soft mechanism that pulls the cup back, and I can feel them do that when I am wearing them, which is slightly irritating. I suppose that this system makes the headphones look nicer when off your head, but it also made it a little tricky figuring out how to wear them properly. Still, once I got the hang of how to fit these on, comfort was not an issue when using them in prolonged listening sessions.
Sound
The Focal Clear is a flagship-class headphone that delivers excellent technical performance and a tonality that is–minus some quirks in the treble–very good. For the most part, I will be comparing the Clear to the HiFiMan Ananda and Audeze LCD-2; however, I would also like to draw comparisons to the HD 660S as it kind of reminded me of that headphone, and wanted to discuss how it performed as an upgrade for those who, like me, really like Sennheiser’s HD 600-series.
Bass
The Clear has what is, to me, the most impressive bass I have heard on a dynamic headphone thus far. For extension, it performs really well as it extends in an almost completely linear fashion; it only rolled off a bit at around 30hz. The Clear’s reach into the sub-bass region gave it a very good sense of depth, and it vastly outperformed the HD 660S’ bass which comes across as a little shallow by comparison. Still, I felt as though the LCD-2 and Ananda’s extension was a little more impressive as it just had that last-level of extension that made them sound a little deeper and had more of that 10hz-20hz rumble when compared to the clear. For resolution, I find the Clear to be very well controlled in the bass, and even though I still thought the LCD-2 was slightly more articulate, I found it to be more detailed than the Ananda. My only real criticism in the bass is that I feel like the overall bass level for the Clear is a little lean, and it also seems to lack a bit of warmth in the 100hz-150hz region; I do think that they benefit from an EQ upshelf or a bass boost if your amp/DAC has one available. Lastly I wanted to address the clipping issue that seems to cause some concern online for Focal headphones. Yes, I did hear the Focal Clear clip when reproducing really low frequencies. However, during my listening this only occurred when I engaged a EQ +3dB bass boost in combination with the iDSD Micro Black Label’s bass boost at uncomfortably high listening levels; so I really doubt that you will run into this issue in an average listening session.
Mids
The midrange on the Focal Clear was to me both very enjoyable and realistic sounding; it really only had two slight deviations from target. The least noticeable one was that it seemed to me as though there was a very slight dip at 4.5K, so vocals in particular sounded to me as though they needed just a little more energy in that presence region. For the second deviation I will also be discussing timbre, as Focal headphones are sort of infamous for having a slightly metallic timbre. From my experience listening to the Clear, I would say that that is somewhat true, and I did not feel as though the timbre was as natural or transparent when compared to something like an HD 600-series headphone. However, after playing around a bit with EQ it sounded to me as though that metallic timbre is in large part due to two different elevations in the Clear’s frequency response. One of those elevations is in the treble region, and the other one is present in the midrange at around 1K. That elevation at 1K adds a slightly nasal and boxy tonality to the Clear’s timbre that, when combined with the other elevation I will discuss in the treble section, results in an accentuation of a slightly more metallic character for the sound. Overall, I still really like the mids on the Clear, and they really remind me of the midrange on Sennheiser headphones, which to me sounds very rich and realistic. I listen mainly to classic rock, and as a guitarist myself, electric guitars sound incredibly realistic on the Clear; they very accurately reproduce their growl, presence, and buzz. For resolution, the Clear’s midrange is astonishingly transparent and has an exceptional level of detail. It is mostly a marginal improvement over the LCD-2 in this regard, but compared to the other headphones I have listened to, it is significantly more resolving.
Highs
The treble region is where the Clear can get a little “interesting.” I personally would not particularly describe it as being bright, as even the Ananda is a bit brighter. However, unlike the Ananda, I find that the Clear’s highs are slightly uneven. Despite the treble only being set a decibel or two higher overall than on the HD 660S, it can become a little fatiguing as a result of two elevations in the highs. To me it sounded as though there was a peak at 6K that introduced a little bit of glare and sibilance in the lower treble. It was not a very large peak, but it was emphasized by the dip that preceded it between 4.5K-5.5K. The second elevation is the one I mentioned earlier when discussing timbre, and it is a rise at 10K. In my listening, the 10K peak added a slight sharpness and zing to my music. Also, because it was a fairly wide elevation, it sounded to me as though the harmonics between 8.5K and 12K had a little too much energy, which altered the balance between overtones and fundamentals in a way that made the timbre come across as slightly metallic. The degree to which these peaks will affect your listening experience I think will come down to how sensitive you are to treble, and what music you listen to. As an example, I personally had no issues with the treble when listening to Jazz, classical, or mostly instrumental music; even on some rock albums like Abbey Road, I had no issues with the highs. However, on brighter records like the Arctic Monkeys’ Tranquility Base Hotel and Casino, the treble could become fatiguing. Still, I have to mention that this is nowhere near the level of fatiguing that a headphone with an exaggerated peak like the DT 1990 Pro is. Lastly, for resolution he Clear is–again–very impressive. So far, it has the most detailed highs I have heard in headphones; delivering a slightly cleaner image in the treble range than the LCD-2 and Ananda.
Soundstage, Imaging, and Layering
In terms of soundstage width, the Clear is not the most impressive as it is not much wider than an HD 600-series headphone. However, it has a soundstage presentation that feels very well-defined and accurate. The Clear has great imaging, and accurately determines the directionality and position of sound with no obvious gaps that break the soundscape. Moreover, the Clear had a remarkable ability to separate and distinguish the different layers and instruments of the music I listened to. The Ananda was very impressive in this regard, but I actually felt as though the clear did a better job at discerning the individual vocal and instrument lines in complex passages, and it did so without compromising the integrity of the music. I was listening to one of my favorite songs, “And Your Bird Can Sing,” and I was sincerely impressed by how well defined the electric guitars that harmonize in the main riff sounded.
Dynamics
The Focal Clear has the best, and punchiest dynamics that I have heard in a dynamic-driver headphone. While I still thought that the LCD-2 performed slightly better in this category, the Clear still has a great punch and slam quality to it. Bass notes hit with authority, and deliver a nice physical sense of impact. Keystrokes and strikes on instruments like the piano and xylophone have the right amount of tension behind them, and the Clear reproduces the sense of weight that they are played with. String instruments also sound outstanding, as they have a very realistic bloom and impact in their lower resonances whilst also delivering that top-end attack. This quality gives music played through the clear a very engaging and lively quality that I personally really enjoy.
EQ
With the Clear, I mostly applied subtle EQ modifiers that when engaged together made for some firm sonic changes, mainly at 1.2K and 10K. I was aiming at bringing the Clear closer to my personal target (which is fairly similar to the Harman Target Curve). In a way, I wanted to make a “supercharged” HD 660S out of the Clear as I already found it somewhat similar to the HD 600-series tonality, but with superior technical performance. If you would like to try out my EQ profile for the Focal Clear, you can input these settings in your equalization software of choice:
Updated 8/3/2020: I felt as though the Clear needed a bigger cut at 6K, a lower in magnitude but wider cut at 10K, and took a different approach at EQ’ing the midrange; kept 4.5K as it was and reduced 3.5K instead.
Low Shelf at 100hz, +3dB Q of 0.7
Peak at 1200hz, -3dB Q of 1.41
Peak at 3500hz, -3dB Q of 2
Peak at 6000hz, -6dB Q of 3
Peak at 9500hz, -4dB Q of 2
Conclusion
For me, there are a couple of different takeaways after listening to the Clear. The first thing (this is mostly a personal one) is that out of all the headphones I have listened to, with price as a non-factor, the Focal Clear is my personal choice at the time of making this review. I really appreciate what its technical performance is capable of reproducing, and I really enjoy its tonality after using EQ. However, I struggle to say whether or not I recommend it at its $1499 price point. At that price it competes closely with headphones that I have not yet had the chance to listen to and compare to, such as the highly-regarded HiFiMan Arya, the high-performance Audeze LCD-X, and even the artisan ZMF Auteur. Compared to the headphones I have listened to, I still think that with no EQ the Ananda has a more pleasant natural frequency response, and the Clear is only an incremental upgrade on the performance front when compared with the LCD-2. Having said that, I do think that for those looking for a flagship-class upgrade from an HD 600-series headphone the Clear is your best option, as the other headphones around this price range and performance level are not really reminiscent of those Sennheiser headphones in the way that the Clear is; also worth mentioning that it utilizes a dynamic driver, so it does not have the planar-magnetic quality in timbre that some listeners do not enjoy. Overall, I find the Clear to be a fantastic headphone that delivers an impressive sonic experience delivered in a beautiful package; I just think that maybe it would be more competitive at around the $1,199 price point.
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A Crackingly good review @Chrono. The Focal Clear is one of my very favourite over ear headphones. I use it daily and get great enjoyment from it. Aesthetically I find it really pleasing on the eye. Though I do think its slightly outdone in the looks department bu the Utopia. The Utopia is my dream headphone at the moment and I am still waiting for someone to donate their’s to me. Lol. Joking aside I think Focal have a tough job on when it comes to bringing new products to market as the have such a wonderful lineup already.
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@mroneto What are your impressions with the Dekoni fenestrated sheepskins on the Clear, as opposed to the stock pads?
Holy crap. Thank you for this reference.
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AH! life is good…amazing Clears…really very, very nice…glad your enjoying the music there is a lot of crap pit there which I dont even call music…being old school…
Have to go away for a few days and will post some more great sounding tunes when I get back…
Alex
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After listening to the Clear’s, I’m a fan. I really enjoy them, and I completely agree, they’re beautiful in their design. They also sound great! The Utopia is definitely another gorgeous headphone, I hope to try it out some day as well!
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Tell that to the watermelon that sits on my shoulders. They stay on me just fine.
When that happens to me it’s usually caused by wearing the cups too low, or by huge cups like those from Audeze. Either shorten the sliders or try a hand towel on top of your head.
Yep.
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I was with you up to this point. The Clear is in another class for atmosphere and nuance. It’s also a lot more comfortable than the LCD-2.
Yes, HD-600 and Clear are great for us neutral folks.
That is a fairly common sale/street price.
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Must be a sideways watermelon :). I’ve routinely been made fun of for my giant head, and yet they seem to have no clamping force for me. I can almost pull them off my head without having to pull them out sideways. They just slide off.
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As a heavy listener of folk music, the clears are the best thing I’ve heard so far, but I’m very curious to try the Utopias, much to the chagrin of my wallet. Songs like Fhear a Bhata - Silly Wizard, Kiri’s Piano - James Keelaghan, The Orchard - Liam Clancy, The Field Behind the Plow - Stan Rogers, and The Town I Love So Well - Paddy Reilly never sounded so authentic and clear. I’m spoiled in that I get to attend these amazing performances over and over having not even been alive when they were recorded in most cases.
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Out of curiosity, was this a post-2016 driver revision LCD-2 with EQ or Audeze of Reveal+? I do agree that without any DSP the Clear is definitely a cut above, but the LCD-2 did improve drastically in my experience with some EQ and the performance disparity was not as great–at least for me.
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It was either my old (sold) LCD-2C or some LCD-2 variant that I demoed a local store (unknown). No EQ or DSP. I almost never use EQ. In my experience the LCD-2C had piercing treble, an unpleasant mid-high dip (@pwjazz), and less appealing than either the HE-560 or Focal Elex.
IMO the Clear is vastly better because of its speed and sensitivity. This is most obvious with vocals, guitars, violins, and instruments with subtle nuances.
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@Chrono Great review man! I really enjoy the Clear, although I do wish they had a larger soundstage. But yeah, a really great headphone.
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Thank you for checking it out, I really enjoy this headphone. Sincerely my favorite at the moment 
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I actually sold everything a while back, but from what I remember, the Dekoni pads on the Clear changed the sound in a way that wasn’t too great IMO.
The overall sound became more of a V-shape focus and actually had less dynamics than the stock pads.
I had bought the Dekoni pads as they were heavily discounted as a result of a manufacturing defect ($40 instead of $99), else I would recommend to use the stock pads only.
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Thanks for your reply, despite your separation from these headphones. I still have an extra pair of the stock pads, and the initial ones are still faring perfectly well. I was just curious about a possible upgrade, maybe in soundstage. Thanks again. 
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I think it’s possibly manufacturing variances, or frames being bent; or due to our varied interpretations of what constitutes as a large or small head. A load of crap? Hear me out. I’m quite regularly “proved” to have a small head because everyone else who wears my headphones or hats, including most women (do women have different sized heads than men, in general?), has to extend the fittings to fit on their heads. However, the Focal Clear fit perfectly on my head without falling off when leaning forward (unless I JERK my head forward/down), and I have them set 4 clicks from smallest, or 5 clicks from max extension. So… 
All of us is wrong/right. 
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Hedds, senn 800s…