Happy to fulfill as many requests as possible, the sooner I get as many of them done, the sooner people can just use the search function in this thread to find what they need
Gonna start with X2. First step is… well, there’s only one measurement of it, from Tyll Hertsens at InnerFidelity. Most other squigs out there are of the X2HR. So the question becomes: How different are they really?
IMO this can be read as “not really different.” Tyll used a different HMSii.3 than RTINGS, and it has a few different features (most notably a bigger dip around 5-6 kHz present on all of this measurements and in the DF HRTF for his rig). I’m gonna operate under the assumption they’re the same, and if you find the results unpleasing you can boost a little extra with a high shelf at 1.5kHz or so to bring it where the X2HRs would be after EQ. Okay, EQ time!
Philips Fidelio X2HR
Confidence: LOW
Uses data from GRAS KB50xx, B&K 4128, and HeadAcoustics HMSii.3
Preamp: -8.0 dB
Filter 1: ON PK Fc 20 Hz Gain 11.0 dB Q 0.700
Filter 2: ON LSC Fc 168 Hz Gain -3.0 dB Q 0.600
Filter 3: ON PK Fc 265 Hz Gain -1.4 dB Q 4.000
Filter 4: ON PK Fc 800 Hz Gain -0.5 dB Q 3.000
Filter 5: ON PK Fc 1635 Hz Gain -6.0 dB Q 2.400
Filter 6: ON PK Fc 1635 Hz Gain 4.2 dB Q 1.000
Filter 7: ON PK Fc 4000 Hz Gain 1.2 dB Q 2.000
Filter 8: ON PK Fc 5200 Hz Gain -5.5 dB Q 2.000
Filter 9: ON PK Fc 6300 Hz Gain 4.0 dB Q 2.000
Filter 10: ON PK Fc 9400 Hz Gain -5.5 dB Q 1.400
Filter 11: OFF HSC Fc 3500 Hz Gain 0.0 dB Q 0.700
Adjust band 2 for overall bass
Adjust band 11 for overall treble
Also, just want to note, this headphone had a particularly wide variance between units/rigs, so definitely play around with it a bit.
Sennheiser HD 58x:
Confidence: MEDIUM-LOW
Uses data from GRAS KB50xx, B&K 5128 and HeadAcoustics HMSii.3
Preamp: -9.4 dB
Filter 1: ON LSC Fc 105 Hz Gain 0.0 dB Q 0.700
Filter 2: ON PK Fc 20 Hz Gain 11.5 dB Q 0.300
Filter 3: ON PK Fc 34 Hz Gain -3.5 dB Q 0.800
Filter 4: ON PK Fc 150 Hz Gain -3.2 dB Q 0.600
Filter 5: ON PK Fc 550 Hz Gain 0.4 dB Q 1.400
Filter 6: ON PK Fc 1375 Hz Gain -0.8 dB Q 2.000
Filter 7: ON PK Fc 2600 Hz Gain 1.3 dB Q 2.400
Filter 8: ON PK Fc 3400 Hz Gain -1.6 dB Q 3.500
Filter 9: ON HSC Fc 3500 Hz Gain 4.5 dB Q 0.600
Filter 10: ON PK Fc 9800 Hz Gain -4.8 dB Q 2.000
Adjust band 1 for overall bass
Adjust band 2 for bass extension (might need to be curtailed to avoid THD, use your ears)
Adjust band 9 for overall treble
DUNU SA6 (Original):
Confidence: LOWEST
Uses data from Resolve’s RA0402 Coupler
Preamp: -2.7 dB
Filter 1: ON LSC Fc 105 Hz Gain 0.0 dB Q 0.700
Filter 2: ON PK Fc 440 Hz Gain 2.5 dB Q 0.900
Filter 3: ON PK Fc 1275 Hz Gain -3.0 dB Q 0.900
Filter 4: ON PK Fc 2000 Hz Gain -1.3 dB Q 1.400
Filter 5: ON PK Fc 3325 Hz Gain 4.5 dB Q 1.400
Filter 6: ON PK Fc 4600 Hz Gain -7.0 dB Q 3.000
Filter 7: ON PK Fc 5900 Hz Gain 5.0 dB Q 2.000
Filter 8: ON PK Fc 6900 Hz Gain -3.0 dB Q 2.000
Adjust band 1 for overall bass
Adjust band 2 for warmth
Adjust band 3 for vocal presence and overtone texture
Adjust bands 7 and 8 to balance lower treble to work with your anatomy
Etymotic ER2XR:
Confidence: LOW
Uses data from B&K 5128
Preamp: 0 dB
Filter 1: ON LSC Fc 105 Hz Gain 0.0 dB Q 0.700
Filter 2: ON PK Fc 165 Hz Gain -2.5 dB Q 0.800
Filter 3: ON PK Fc 1600 Hz Gain -5.0 dB Q 0.700
Filter 4: ON PK Fc 3200 Hz Gain 1.0 dB Q 1.400
Filter 5: ON HSC Fc 3500 Hz Gain -1.5 dB Q 0.700
Filter 6: ON PK Fc 13500 Hz Gain -5.0 dB Q 2.000
Adjust band 1 for overall bass
Adjust band 4 for ear gain & clarity
Adjust band 5 for overall treble
Adjust band 6—in frequency and gain—for controlling the upper treble peak. It will shift depending on anatomy so play around with it.