Highly recommended:
In my office alone. Iād recently commented on a post by, I think @ProfFalkin in Now Listening or Music for the week, where theyād listened to some Earth, Wind, and Fire. My reaction was sort of a āChain Reactionā taking me back to summer between Junior and Sophmore year, a really good summer, with a lot of good music. Iām re-listening to my comeback, 1971ās Chain Reaction by the Crusaders - who had just changed their name from the Jazz Crusaders.
Truly an accessible and fun album that exemplifies the funky jazz fusion of the early 70ās. Well worth that second listen. You may have to tap to get the link. Itāll be worth it.
Today I continued with my throwback indulgence into 70ās funky Jazz Fusion with Herbie Hancockās funkiest album,
I did see Herbie at Penn State, not that long after Headhunters and āRockitā
I really like this album, particularly "Sun Touch and everything else.
Listened on the porch with the LCD-i3 and my iPhone. Quobuz. hi-res. Iām always astonished at the soundstage the LCD-i3 provides. Yes, it may be in your head, but they expanded your head. This IEM is open back, so it doesnāt āsealā but with the right tips is excellent. Makes me wonder what Iād get if I spent an additional $1500 for the LCD-i4. I use it wired with the Cipher cable, and play a bit with EQ.
Herbie Hankock - good stuff. Love his Possibilities album as well.
What tips do you recommend? I am still looking for some good tips for my iSines.
Iāve tried quite a few, but the best so far have been the oval Eartunes from this post.
For me I think itās the medium. They are a pretty tight fit over the nozzle, but not as bad as the stupid advice on some other forums that has you stretching spinfits like boyās size 10 underwear on Dom DeLouise. There is enough play around the nozzle for them to do a nice job.
Thanks for the info, and ā¦
ā¦ thanks for that image in my head now.
It was a rainy day, with remnants of Ida dumping 4 to 6 inches of rain. I worked until about 2 PM, when there were too many flash flood warnings to ignore. Tried a rainy day playlist, but then decided I needed a bit more energy. Played it a touch louder - nobody was going to be a walk in, so what the heck.
Nothing - not even Brubeckās Time Further Out can give me energy like early Cuban Jazz.
Hi all -
Iām sure this has been covered but I know things always change.
Iāve got a fair history with what Iād consider āthe basics,ā such as Parker, Mingus, Miles, Coltrane, Tjader, Monk, etc. etc.
What else should I be checking out, especially contemporary? Looking to try some new music. Using Quboz.
Thanks!
Would you be looking for:
Vocals
piano
Trumpet
Sax
Trombone
some other lead instrument
big band
small combo
are you interest4ed in getting more avnt garde, or less?
Definitely vocals and piano, probably top of list.
Not really big band. Yes small combo.
Open to the other instruments but lower tier.
Brad Mehldau - piano led small combo
Roxana Amed: vocals, latin influence
Veronica Smith: vocals, very classic presentation
and of course, if youāre listning to classic bop, just pull the favorite band membes names out from behind the superstars, and find the stars. For example; McCoy Tyner backed Coltrane, but is a virtuosos star in his own right.
Double bonus long weekend content:
As a cross over from the classical world, i recently discovered (thanks to @enthusiast.haas) the work of Nicolai Kapustin, he was heavilhy influenced by jazz progressions :
Thank you so much! Long weekend listening definitely a motivator here
Relieved that the Village Vanguard has re-opened for in-person shows for the first time since the start of the pandemic. At the same time, missing a younger, though still excellent venue, that didnāt make itāthe Jazz Standard. Antonio Sanchezās 2010 live album is my all-time favorite recording at the Jazz Standard, and āIt Will Be Better (Once People Get Here)ā is my favorite track.
I snatched up tix to see Ravi Coltrane at VV in October as soon as they went on sale.
On a separate note, Iāve been LOVING Lady Blackbirdās new album (her VOICE tho!! ), and going to see her live at the BRIC Brooklyn Festival this weekend. So thankful for the return of live music events.
I NYC.
Always a great listen.
Van Gelder Studio recording. 1960
Stanley Turrentine - tenor saxophone
Gene Harris - piano
Andrew Simpkins - bass
Bill Dowdy - drums
It is great news. And Smallās, just around the corner, has been back up and running for a while now.
You canāt beat a night out getting a pie at Johnās on Bleecker and then going to a show at either venue. (In the good old days of 15 years ago, Johnās had Heineken on draft that, for some crazy reason, was really good, and Smallās was byob).
Question for my Jazz friends.
As prep for the new book club (Visions of Jazz: The First Century - go sign up), I randomly chose a Miles Davis album. I deliberately chose an album whose title Iād never heard of, and picked Get Up With It, one of his later albums.
Perhaps thatās not the Davis album youād normally suggest to a jazz noob like me, but Iām glad I chose it because it really resonated with me. Is this really jazz? It sounds like a weird prog rock jam album to me. But really good weird prog rock jamming. I love it.
I then went to Bitches Brew and loved that too, so I will explore Milesā electric period some more.
If I like Milesā electric albums, can you suggest some other artists and albums that I should try that have a similar sound?