Chord Mojo 2 Review & Measurements

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The Chord Mojo 2 is a very interesting device, offering Chord’s pulse array DAC design, some handy features such as configurable EQ and Crossfeed, and some of the highest performance oversampling found in any DAC on the market, all in a very compact package.

Subjectively, I wasn’t much of a fan of the original Mojo, but after trying the Mojo 2 at a meet I was very impressed, and later purchased one to use as my personal on-the-go source. This unit was purchased with my own funds at full retail price, all thoughts and opinions are my own.

The Mojo 2 sits in a bit of a unique form factor. You can’t really call it a ‘dongle’, but it isn’t a standalone DAP and does require a phone or other source device.

It also has some upgrades for use at the desk compared to the original Mojo, such as an ‘Intelligent desktop mode’ that allows you to keep it plugged in 24/7 without degrading the battery capacity.


The inside of the Mojo 2 shows an impressive amount of compute power for such a small device, with an ATSAM3U1C microcontroller and an ARTIX-7 FPGA.

The microcontroller is likely acting as the USB receiver, with the ARTIX-7 FPGA handling the oversampling and DSP functionality, as well as controlling the pulse array converter itself, which can be seen just to the right of the FPGA. This is what is outputting the analog signal, it does not come directly from the FPGA.

This pulse array then feeds the output stage nested between the two 3.5mm jacks. It’s a common misconception that Chord DACs don’t have an output stage, this is not the case.

The engineer behind Chord’s DAC designs, Rob Watts, tried to keep as few components in the signal path as possible, but they do indeed have an output stage.

The Mojo 2 is controlled using the four RGB illuminated buttons on the front. The aesthetic of this is going to be polarizing, but it fits with the rest of Chord’s line-up.

I personally found it quite tricky to remember how to configure things for the first couple days, and had to have the manual constantly to hand, but after a while you do get used to it. It would have been nice to have a slightly more intuitive control scheme especially given the multitude of options to configure on the Mojo 2.

There are four configurable EQ options which are adjustable upto +/- 9dB in 1dB increments.

Additionally there is a crossfeed feature which many will no doubt appreciate. This feeds some of the signal from the right channel into the left and vice versa, but attenuated and with a miniscule delay. This aims to emulate the effect of listening to a pair of speakers, where each ear is able to hear both the left and right channels but at slightly different volumes and times. As opposed to headphones where each ear only hears one channel.

The I/O is a bit on the polarizing side too.

The Mojo 2 does thankfully include both a USB-C and Micro-USB port for data, so you should have no issue connecting this to any device with whatever cable you have to hand. However, you can only charge the Mojo 2 using the secondary micro-USB port.

There is also no charger in the box, so you need to ensure you have a micro-USB 5V charger with at least 2A capability before you will be able to charge the device.

The layout has been kept similar to the original Mojo so that the Chord Poly can be used in conjunction with it.

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Measurements Include:

  • THD+N vs Frequency
  • THD+N vs Output Level
  • Low Level Signal Output
  • Nyquist Reconstruction Filter / Oversampling
  • Noise when Idle
  • Intermodulation Distortion (IMD)
  • Linearity
  • Crosstalk
  • Jitter
  • Multitone
  • Wideband Noise & Distortion

Additional measurements and test information available in the full reports

Test Setup

  • Audio Precision APx555 B-Series Analyzer
  • 100kΩ Input Impedance used unless otherwise stated
  • USB Source: Intel PC via intona 7055-C isolator
  • Coax SPDIF source: Audio Precision APx555 B-Series
  • Measurement setup and device under test are running on regulated 230V power from a Furman SPR-16-Ei
  • Mojo 2 was warmed up for 3 hours prior to testing
  • Mojo 2 was fully charged, and then ran on battery during testing
  • Exact analyzer/filter configurations for each measurement are detailed in the full reports
  • CH1 (Blue) = Left, CH2 (Red) = Right

A few important points to note before moving onto the measurements themselves:

1) In most tests the Mojo 2 performed near identically when running on battery vs in ‘intelligent desktop mode’ fed by an iFi iPower 5V power supply. Tests shown are using battery as this is likely representative of how the majority of people will use the device.

2) When the Mojo 2 is connected directly to a PC via USB, it seems to show some additional noise content from about 7khz upwards. Not to any extent that is likely to be of concern, but this can be addressed with the use of a galvanic isolator such as the Intona 7055-C, or possibly a decent filter such as the iFi iPurifier 3.0. Given as the Mojo 2 is most likely to be used on the go with a phone, I think it’s most appropriate to show the performance with a low noise (and ungrounded) source anyway. So all measurements shown are with the device isolated from the PC.

3) The Mojo 2 was set to 4.3V output for these tests. This is because the Mojo 2 begins clipping above this level, so it is the maximum practical output of the device (despite the volume control allowing the user to set it higher), and also because the volume control is entirely DSP. Therefore reducing the volume to 2V RCA line level or to a headphone listening level for the tests would just be sacrificing 6dB+ of dynamic range for no benefit. Noise floor does not change when reducing volume.

If you’d like to see performance at 2V you can look at the -7dB or 2V point on the graphs.

Full Measurement Reports

Full Report (SPDIF)

Full Report (USB, Galvanically isolated)

Full Report (USB, Direct to PC)


Dynamic Range (AES17): 117.7dB

SNR: 118.8dB

IMD SMPTE: -96.0dB

Noise Level RMS (20-20khz): 4.959uVrms

Noise Level RMS (20-90khz): 16.72uVrms

DC Offset: 5.7mV active, 2.8mV idle

Latency: 29.14ms

Susceptible to intersample overs: No (as long as you are more than 3dB below 4.3V, which you pretty much always will be)


1khz 0dBFS Sine, 4.3V output (max level without clipping):

1khz 0dBFS Sine, 2V output (RCA Line Level):

1khz 0dBFS Sine, 700mV output (Headphone Level):

1khz 0dBFS Sine, 50mV output (IEM Level):

THD+N vs Frequency

(AES 20khz filter applied on the analyzer. Provides more relevant THD+N values at lower frequencies as noise above 20khz is ignored, but causes dips in THD+N readings at higher frequencies because harmonics above 20khz are ignored. After 10khz, all harmonics are above 20khz and are therefore ignored.)

(96khz bandwidth used on the analyzer. Provides less relevant THD+N values at lower frequencies as noise above 20khz is factored in, but shows a more accurate profile of rising distortion if present, as harmonics above 20khz are still counted.)

The mojo 2 does have some small amount of rising THD into the higher frequencies. This persists regardless of level.

Whilst from an objective standpoint, lower THD is better, from a subjective standpoint, this can contribute to a subjectively ‘sweeter’ or ‘warmer’ presentation which many people like.

THD+N vs Output Level

Low Level Signal Output

-90.31dBFS 1khz sine played through device

96khz capture bandwidth

20khz filter applied

Reconstruction Filter

White noise at 44.1khz sampling rate played through device

10khz to 96khz shown

Zoomed to more clearly show area around the nyquist frequency

Chord’s oversampling filter is something that they do better than any other manufacturer I am aware of currently. In the case of the Mojo 2, offering a 40,960 tap/coefficient filter. Leagues ahead of the usually 128-1024 tap filters in most modern DAC chips. This means that the Mojo 2 can fully represent all content up to the Nyquist frequency of 22.05khz, whilst having next to no unwanted ultrasonic content/imaging. This means that the Mojo 2 adheres to Nyquist theorem better than most DACs, and should be able to represent the timing of transients more accurately as a result. Research into the audibility of high performance reconstruction filters is extremely limited, and therefore audibility thresholds are up for debate.

Noise When Idle





USB input, 44.1khz

USB input, 48khz

Jitter shown is when using USB input. Though both SPDIF inputs were equally excellent. The Mojo 2 has practically perfect jitter performance. This is another thing that Chord DACs do REALLY well and is seemingly an inherent benefit of the pulse array design.

They are not ‘immune’ to jitter, but are immensely resistant to it.

Even when putting it on optical and deliberately adding 25nS of 1khz sine jitter to simulate a truly awful source device, the Mojo 2 still had very good jitter performance.

You can be certain that regardless of the source you use, jitter performance on the Mojo 2 will be excellent.


Wideband Noise & Distortion


Active (-3dBFS 1khz Sine Playing)

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This is a companion discussion topic for the original entry at

Great review, Cameron. Very detailed and thorough. Question: exactly how many hours did this battery last on the new Mojo2? The old one was barely making seven hours.

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I’m getting at least 8h battery life on this one. I’ve not timed the exact life of it though.

Worth noting though that the battery life you get will depend on what you’re driving. I’ve been using IEMs mostly and don’t listen all that loud. So if you’re running fullsize headphones and/or listening at louder volumes you may get less battery life.


Good review but I am confused as to how this would be used as a DAC only?

I was somehow given the impression that they squeezed some sort of analog output in apart from the headphone outs?

You can do 3.5mm > RCA, and it operates just fine.


$775 and no charger is kind of ridiculous, really. Also, micro USB… just… why? No excuses there.

Great improvements in circuit design and performance though.


I just ordered one at 20% off - which forced my hand. :wink: I have a bag full of 5V chargers I can use.

I couldn’t agree more about the use of micro USB, it is incomprehensible to me that you would use it for power input as it’s as robust as a lettuce leaf. I already have a Chord DAC with a broken micro USB power input, which makes my decision to buy the Mojo kind of ridiculous as well, but I guess common sense is not a common attribute in this hobby.

I agree. When I first read about the M2, I was excited about the new DSP and ready to buy. Then I noticed micro usb charging only? Then for nearly $800 they can’t even be bothered to throw a charger in the box? Like even a $4 one? I am sure there are people who will receive this on not even be able to use it until they go buy a cable. Nonsense.

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They do include a USB to Micro-USB cable for charging. Just not a charger itself


I certainly would have preferred USB charging too, BUT, there is a decent reason as to why they stuck with micro-USB charging, which is that it allows the Mojo 2 to keep full compatibility with the Poly including one cable charging. Otherwise there would have had to be a revision to the Poly and owners would rightfully be quite annoyed at having to purchase a new one


And type C can have the wrong chip and jack up the battery in a device. A lot of type C cables aren’t up to spec.

Most people now have USB 5v chargers lying around or will just leave the micro USB cable permanently attached to their PC/laptop.

My only minor gripe with that is making sure to remember to put it on the right side up.

Anyway, I’m loving mine , instruction manual is vague in parts, like is low and high volume setting the same as low and high game and how to access high gain, which I think is what it is. I managed to find a reviewer who explained how to do it, get to .ax vol then press volume + again and the menu button then turns white and stays white.

Crossfeed seems to be very subtle and I like the EQ, the menus are easy tool 10 mins to get used to it.

Really nice thing and lovely with Hifiman Edition XS.

Ps I’ve no idea what the colours relate to, someone has done a chart which doesn’t make sense but doesn’t matter as I seem to like double green with white high setting.

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Between the Gryphon, the new Fiio Q7, and Shanling H7 (?), the Mojo 2 suddenly looks competitive price-wise. Never woulda predicted that one.

When used as DAC only, how do you get to line out? I read somewhere that you have to turn the volume all the way down and then press the up volume button 62 times until the volume indicators are a bright violet color. (I feel silly just typing that!) Having done this, the volume sounds about right, but I hope there’s a more reliable/definitive way of setting the dac to the appropriate volume when using it solely as a dac. Thanks!

Here’s a chart with what the colours correspond to in dB attenuation and voltage output

So turn it such that the volume buttons are both darker purple.
You don’t need to worry about it being EXACTLY 2V though.
Devices vary a fair bit in output and 2V is not a hard rule. You’re fine to have it be over/under a bit. In fact as long as the amp you’re connecting it to is fine with hotter inputs, you’ll get more dynamic range by having it set slightly higher


Thank you! Very helpful. How do I know if my amps (Woo WA-5LE and Ferrum Oor+Hypsos) have good synergy with hotter inputs?

Generally most stuff I’ve tested has been fairly tolerant.

If you hear clipping/harshness then turn the input down a bit. Otherwise you’re good.

There’s a couple exceptions like the Enleum AMP-23R which actually performs worse and worse the higher in input level you go (and is best at around 0.2V! Pretty far from 2.0V). But this is rare

In order to check and maximise the optimal input level you’d need an analyzer or ADC accurate enough to measure (E1DA Cosmos is a neat bit of kit). But for the most part, easiest to just say that you should just go with your ears. Clipping is usually very obvious.

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Thanks again! I tested this out with my WA5, and I did notice some clipping when I got closer to the lighter shade of violet. I’ll keep it at or just under 2V!

Anecdote: when I first got the WA5 and set everything up, I had the Mojo 2 volume basically all the way down. I had to turn the amp almost all the way up to hear anything at a decent level, and it was extremely noisy. I quickly realized, fortunately, that I needed to adjust the Mojo’s volume, and I now never need to turn the amp up past 9 o’clock to get it to the listening volume I prefer. And the amp is dead silent.


I’ve owned my Chord Mojo 2 for a few weeks and love it! This is my “on the go” device and usually paired with my DUNU SA6 IEMs at work. When I am working at home I typically pair with Focal Clear. I’ve been very happy with the sound. Battery life has not been an issue.

Some people are chuffed about no included charging brick. At this point in time most folks who are looking at something the Mojo 2 likely have a few small wall warts lying around. I use the provided USB to microUSB cord with my iPhone camera adapter connected to my iPhone and it works great.

Has anyone tried their Mojo 2 with the Poly? I am interested in trying this out but the price tag for the streamer is eye watering. Conversely stuffing my phone + Mojo 2 + iPhone camera adapter cable + USB to microUSB cable in my pocket is cumbersome. I worry the strain on the cables will cause them to break. Also not super easy to find volume control with all that crammed in one pocket. Would love to hear about someone who is using Poly plus Mojo 2.


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